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| Posted by |
Message |
FERNANDO OLIVA

24/1/2003 |
Subject: TUDOR
CD´S
Message:
Dear friends,
Somebody knows if is possible to find Tudor CD´s in Spain,
and specially in Barcelona or North-East Spain Zone?
I want to buy Raff´s works by this label.
Is the quality similar to Marco Polo?
Thank you for anticipate,
Friendly,
Fernando. |
luis de orueta

29/1/2003 |
RE:
TUDOR CD´S
IP: Logged
Message:
Speaking in general, TUDOR CD´s contain perfomances of Raff´s
music that beat their Marco Polo counterparts by a wide margin.
I often wonder how can anyone really enjoy some of the Marco
Polo versions of his symphonies.To me they are to be carefully
avoided (unless they happen to be the only available ones,
and even so...). I recommend for his 3rd, either the LP by
Richard Kapp, my favourite, or the D´Avalos, as second best.The
fact that Marco Polo´s are much cheaper and often two shymphonies
in one single redord should be ignored in favour of quality.
Look for non Marco Polo versions of his symphonies in any
of the following sites.
JPC. Classical ( the best but expensive extra delivery costs),
Amazon.com,Classical.net, Tower Records.com,Crotchet classical,
Yahoo´s Classical. Enter Joachim Raff if you dont want to
get mixed up with some misterious "Riff-Raff".
Good Luck.
Luis. |
Jamie

31/1/2003 |
RE:
TUDOR CD´S
IP: Logged
Message:
Luis, how could a serious Rafficionado like you recommend
the old Kapp recording of the 3rd? Certainly, we all heard
Im Walde for the first time when this recording was released
in the early 70's, but Kapp eviscerates the finale just as
Schneider did on Marco Polo which ought to remove these recordings
from any consideration. I never realized at the time that
he went directly from the end of the exposition to the coda,
omitting the entire development and recapitulation sections!
I just thought the movement was rather oddly structured.
Speaking of cuts, both of the available recordings of the
9th symphony ("Im Sommer") similarly gut the finale.
I only became aware of this when I purchased the score. |
luis de orueta

31/1/2003 |
RE:
TUDOR CD´S
IP: Logged
Message:
Jamie,
Once again you are right. I admit to be biased towards first,
and slow movements, and less interested in scherzos and finales.
(I never liked Kapp´s treatment of the last movement of Im
Walde). You are also very perceptive about another bias:
the "nostalgic" factor, which ought not to interfere
opinions.
Changing the subject, have you heard the Adagietto of the
4 # piano trio, the way it is played by Il Trittico? If yes,
could I have your opinion?
With sympathy,
Luis |
Jamie
31/1/2003 |
RE:
TUDOR CD´S
IP: Logged
Message:
I haven't heard the Il Trittico recordings, but can't imagine
that they would be any more persuasive than those of the
Trio Opus 8. The cellist's wonderful playing of that incredibly
beautiful main theme (along with the rest of the slow movement)
of the 4th trio is so full of passion and fire that I find
it hard to believe that any ensemble could play it better. |
Jamie

31/1/2003 |
RE:
TUDOR CD´S
IP: Logged
Message:
Luis, I just listened to the opening of the Il Trittico's
version of the slow movement of the 4th trio (at amazon.de)
and it just reinforced my stated opinion above. The very
opening piano chords turned me off. I haven't seen the score,
so I don't know if those chords are marked staccato or not,
but Il Trittico plays it in such a desiccated bloodless manner,
that it just about ruins the piece for me. |
luis de orueta

31/1/2003 |
RE:
TUDOR CD´S
IP: Logged
Message:
Jamie,
I would like to send you one copy so that you can hear it
from beguining to end.
If not, I asked for it and got your answer.
Luis. |
Jamie

31/1/2003 |
RE:
TUDOR CD´S
IP: Logged
Message:
Thanks for the offer, Luis, but you don't have to send me
the Il Trittico recordings. I reread Mark's review and I
think he hit the nail on the head in his comparison of Il
Trittico with Trio Opus 8. Just listening to the way each
trio interprets that same excerpt (the opening to the 4th
trio's slow movement) is enough to reinforce my opinion of
the entire set. |
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