Ignoring historic recordings, and depending on whether you view a bottle
as half full or half empty, the good (or bad) news is that there is little
duplication amongst the scant Raff piano music discography on CD. The
unreservedly good news is that most of the available performances are thoroughly recommendable. Unfortunately there
are still only five CDs wholly devoted to Raff's piano music - most surprising in
view of the attention being given to other areas of his oeuvre and the
preponderance of piano music in his output.
See the CD discography for full listings of all
the recordings mentioned here. Recommended recordings are marked
in
the discography.
Piano Sonatas
Of Raff's three piano sonatas, two featured on a thoroughly recommendable
issue from Cameo Classics on CC9024CD - review. The performances were formerly on Cahoots CAH 001.
The Fantasie-Sonate op.168 and the late Piano
Sonata op.14 (2nd. ver) receive sensitive and lyrical interpretations from
Valentina Seferinova who plays with rewarding accuracy - never losing sight
of Raff's ability to make even the most technically demanding scores accessible
to the listener. The slighter Trois Morceaux op.2
pieces are played with engaging poetry and lightness of touch.
Piano Suites
Raff's seven piano suites are at the centre of his output for the instrument and all are now available in fine, poetic readings from Alexander Zolotarev (AK Coburg DR 0006 - review, DR 0007 - review, DR 0008 - review and DR 0009 - review). In the first CD, the baroque-inspired C major Suite receives an appropriately undemonstrative performance, but Zolotarev pulls out all the romantic stops for the much grander G minor Suite. In both, though, his virtuosity is modestly employed and it never gets in the way of the music. The coupling is the first of Raff's piano arrangements of Bach's Cello Suites.
The second CD follows the same pattern with the last two Suites, those in G major and B flat flat, coupled with the second of the Bach Cello Suite arrangements. Perhaps more than in its predecessor, one wishes for some pianistic fireworks, but these are fine performances and thoroughly recommendable. The third CD features two of the smaller Piano Suites - the first, in A minor and the third, in E minor. These are near-impeccable performances, with Zolotarev's style well suited to their smaller scale. The two Bach Cello Suite arrangements are similarly recommendable
Zolotarev's towering performance of the monumental D minor Suite on the final CD is the performance of choice for this work. He understands the epic scale of this piece and is master of the many pianistic nuances needed to by a performer to show it off at its best. As with the other recordings in this series, the coupling is a pair of fine renditions of Raff's Bach cello suite arrangements. Morton Estrin's offering by US label Newport Classics on a CD (NCD 60067)which is now rather hard to find and has a rather odd coupling in Scriabin's 12 Etudes - it's difficult to think of two composers further removed from each other in almost every musical way! It's a virtuoso performance which underscores the work's stature, whilst not quite matching Zolotarev or the grandeur of Adrian Ruiz's long deleted performance on a 1970s Genesis LP. Unfortunately, Andrea Carnevali's effort for Phoenix Classics (PH 99508 - review) has little to recommend it. The central movements are on a par with Zolotarev's and Estrin's interpretation, but the leaden tempi in the outer ones make this a very frustrating listen. The coupling is Reubke's Piano Sonata.
Other
major works
The only other significant piano work currently available is the Chaconne op.150. It
is one of only two works which Raff wrote for two pianos and is treated to
an enthusiastic and intelligent performance from Hitzlberger & Shültz,
who capture the piece's varying moods most convincingly and also demonstrate
Raff's ability to keep the textures clear. Also on the CPO disc (999 106)
is some winning two-piano music from Reinecke and typically stolid material from
Rheinberger. Recommendable for the Raff and Reinecke at least.
Arrangements
Three of Raff's arrangements of others' music provide substantial fare on three
more CDs. Cyprian Katsaris programmes the fourth section of Raff's "Die
Meistersingers" transcription in a thunderous virtuoso romp which
alone would be worth the cost of the disc. Luckily this Sony CD (SK58973)
has several more hugely enjoyable Wagner transcriptions by Raff's contemporaries.
Well worth seeking out.
Alexander
Zolotarev's lovely performance (Ars FCD 368 388 - review)
of Raff's arrangement for piano of the first of the six J.S. Bach unaccompanied Cello
Suites is also a winner, though its delicacy and charm could hardly
be further removed from Katsaris' CD. He reprises this fine performance for AK Coburg on their CD of Raff Suites (DR 0006 - review). Both issues are highly recommended and there is little to choose between them, besides the coupling. The Cello Suite No.3 (DR 0007 - review), Nos.4 and 5 (DR 0008 -review) and Nos.3 and 6 (DR009 -review) are also now available in similarly fine performances from Zolotarev on AK
Coburg, all coupled with a
variety of Raff's own Suites for piano. Quite superb playing.
Walid Akl's rendition of the arrangement of Bach's Chaconne from the Violin Partita No.2 (Pavane ADW 7255 - review) is also good - perhaps the best performance on a CD with an otherwise indigestible programme.
A rather less monumental arrangement is Raff's op.45; his Reminiscences of Mozart's Don Juan. This delightful and cleverly put together confection is played with great panache and understated skill by Petronella Malan as part of an equally entracing collection of Mozart transcriptions and arrangements by composers of the romantic era (Hänssler CD 98.231 - review). Well worth seeking out.
The final piano arrangement is this time by Liszt - of two excerpts from Raff's first opera "King Alfred". As part of Hyperion's review of the complete piano music of Liszt, the double-CD box (CDA 67101/2) features ten other opera transcriptions, all played by Andrew Howard with his usual precision. Hardly core Raff repertoire - but an interesting diversion.
Trifles
Raff's smaller piano pieces were mostly written to keep food on the family
table but are nonetheless usually more than just easy on the ear. One of
the most played in its time was "La Fileuse".
This spinning piece was one of those which maintained Raff's tenuous place
in the recorded repertoire, through historic recordings which appeared on
LP and later CD compilations.
The four early recordings and one piano roll performance by Vladimir de Pachman are all worth hearing for their historic interest but the only recommendable modern rendition comes from John O'Connor on a Telarc CD (CD-80313) featuring 17 such parlour favourites. Nicely played and without de Pachman's cuts. The final recommendation is of Alan Etherden's scintillating performance of the delightful (if admittedly slight) The Queen's Polka Caprice (Hunters Moon HMPCD 589). The Raff work is the last of the 22 in Etherden's consistently charming survey of "Enchanting Melodies" and it's well worth the wait.
If
you are finding it difficult to buy any of these CDs, the "Where
to buy CDs" page may help.
Do
you disagree with this review, or would like to air your own opinions
of a CD? Why not post a message on the Raff
Forum or submit your own review?

