All Raff's works in these listings are grouped by genre. Other pages in this section contain other genres. You can also search for a score. Use the Library symbols to locate a score - see the Guide for more information.
Raff's arrangements, paraphrases and transcriptions of works by other composers are listed here.
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Orchestral |
Notes |
Publisher & date |
Libraries |
 |
Orchestration and arrangement of Liszt's original sketches for the Overture: Der entfesselte Prometheus RV.539 |
Prepared by Raff when working for Liszt. Performed 24 August 1850. |
Nordstern
2002 |
N |
 |
Orchestration of Wagner's Huldigungsmarsch WWV.97 |
Original composed for military band in 1864. |
Schott
1871 |
|
WoO.39
  |
J.S. Bach's Ciaconna für
Solo-Violine, bearbeitet für großes Orchester
J.S. Bach's Chaconne for solo Violin, arranged for
large orchestra |
|
Seitz (later Ries &
Erler)
1874 |
MS HJW N |
WoO.41
  |
J.S. Bach's Englische Suite
für Orchester bearbeitet
J.S. Bach's English Suite arranged for Orchestra |
|
Ries & Erler
1892 |
|
| |
Piano Four Hands |
Op.13 |
Valse-Rondino sur des motifs
de l'opéra "Les Huguenots" de Meyerbeer
Waltz-Rondino on some motifs from the opera
"Les Huguenots" by Meyerbeer |
|
Breitkopf & Härtel
1845 |
|
Op.42 |
"Le Prétendant":
Musique de Fr. Kücken. Transcriptions.
"Der Prätendent": Music by Franz Kücken.
Transcriptions. |
No.1 Capricietto and No.3 Grande Valse brillante arranged
for Piano Four Hands (pub. 1848). |
Kistner
1848 |
|
WoO.39
  |
J.S. Bach's Ciaconna für
Solo-Violine, bearbeitet für großes Orchester
J.S. Bach's Chaconne for solo Violin, arranged for
large orchestra |
Arrangement of Raff's own orchestration. |
Seitz (later Ries &
Erler)
1874 |
|
| |
Piano & Violin |
Op.63
  |
Drei Duos für Pianoforte und
Violine über Motive aus Richard Wagner's Opern
Three Duos for Piano and Violin on motifs from
Richard Wagner's Operas |
|
Meer (later Siegel)
1856/1871 |
B FM(2) B(3)Z(1,3) AL I(1) |
| |
Piano & Cello |
WoO.42 |
3 Sonaten von Benedetto
Marcello für Volincello, mit hinzugefügter Klavierbegleitung unter freier
Benutzung des bezifferten Basses
3 Sonatas by Benedetto Marcello for Cello with
added piano accompaniment employing free use of the numbered bass |
Manuscript. |
|
|
| |
Piano |
Op.4 |
Fantaisie brillante sur des
motifs de l'opéra "Maria Rudenz" de Doniizetti
Brilliant Fantasy on some motifs from the opera
"Maria Rudenz" by Donizetti |
1st. Op.4 |
Breitkopf & Härtel
1844 |
E |
Op.7 |
Rondo brillant sur l'air
"Io son ricco e tu sei bella" de l'opéra "L'Elisire
d'amore", de Donizetti
Brilliant Rondo on the air "Io son ricco e tu
sei bella" from the opera "L'Elisire d'amore" by Donizetti |
|
Breitkopf & Härtel
1844 |
B E I |
Op.18 |
Zwei Paraphrasen über Lieder
von Franz Liszt
Two Paraphrases on Lieder by Franz Liszt |
2nd. Op.18 |
Eck & Lefebvre (later
Hofmeister) 1846 |
(1) E IC |
Op.19 |
Fantaisie dramatique sur des
motifs de l'opéra "Les deux Princes": Musique de H. Esser
Dramatic Fantasy on motifs from the opera "Die
Beiden Prinzen": Music by H. Esser |
3rd. Op.19 |
Meyer (later Litolff)
1847 |
B E |
Op.34 |
Sechs Leider von F. Abt,
Luise Barthelemy, Fr. Kücken, B. Molique und Fr. Schmidt, ubertragen
Six Lieder by F. Abt, Luise Barthelemy, Fr. Kücken,
B. Molique und Fr. Schmidt, arranged |
|
Müller (later Ebner)
1847 |
|
Op.35 |
Capricietto über Motive aus
dem "Freischütz" von C.M. von Weber
Fantasy on motifs from the "Freischütz"
by C.M. Weber |
Vol. 1 of the collection Oper im Salon of 1876. |
Müller (later
Schuberth)
1848/1876 |
S O EW I |
Op.36 |
Fantaisie militaire sur des
motifs de l'opéra "Les Huguenots" de Meyerbeer
Military Fantasy on some motifs from the opera
"Les Huguenots" by Meyerbeer |
Vol. 2 of the collection Oper im Salon of 1876. |
Müller (later
Schuberth)
1848/1853/1876 |
S EW I |
Op.37 |
Fantasie über Motive aus
"Die Nachtwanderlin" von V. Bellini
Fantasy on motifs from "La Sonnambula" by
V. Bellini |
Vol. 3 of the collection Oper im Salon of 1876. |
Müller (later
Schuberth)
1848/1853/1876 |
S O EW I |
Op.39 |
Notturno d'aprés une Romance
de Françoise Liszt
Nocturne after a Romance by Franz Liszt |
|
Kistner
1847 |
M FMO O
E |
Op.42 |
"Le Prétendant":
Musique de Fr. Kücken. Transcriptions.
"Der Prätendent": Music by Franz Kücken.
Transcriptions. |
3 Nos. No.1 Capricietto and No.3 Grande Valse brillante arranged
for Piano Four Hands (pub. 1848). |
Kistner
1847/1848 |
V(1) M E |
Op.43 |
Divertimento über Motive aus
Halevy's "Jüdin"
Divertimento on motifs from Halevy's "La
Juive" |
Vol. 4 of the collection Oper im Salon of 1876. |
Müller (later
Schuberth)
1848/1854/1876 |
S EW I |
Op.44 |
Fantaisie sur des motifs de
l'opéra "Le Barbier de Séville" de Rossini
Fantasy on motifs from the opera "The Barber
of Seville" by Rossini |
Vol. 5 of the collection Oper im Salon of 1876. |
Müller (later
Schuberth)
1848/1854/1876 |
S EW I |
Op.45
  |
Reminiscenzen aus Mozart's
"Don Juan"
Reminiscences from Mozart's "Don
Giovanni" |
Vol. 6 of the collection Oper im Salon of 1876. |
Müller (later
Schuberth)
1848/1854/1876 |
K S EW I |
Op.46 |
"The last Rose of
Summer": Impromptu |
|
Cranz
1849 |
V K L E |
WoO.11
 |
2 Violin-Romanzen von L. van
Beethoven, übertragen
2 Violin Romances by L. van Beethoven, arranged |
|
Schuberth
1849 |
(1) L(1) |
WoO.12 |
Valse-Rondino über Motive
aus der Oper "Das Diamantkreuz" von Seigfried Salomon
Valse-Rondino on motifs from the opera "Das
Diamantkreuz" by Siegfried Salomon |
|
Schuberth
1850 |
|
Op.61 |
Nr.1 Caprice über Wagner's
"Lohengrin"
No.1 Caprice on Wagner's "Lohengrin"
Nr.2 Reminiscenzen aus Wagner's "Fliegender Holländer"
No.2 Reminiscences of Wagner's
"Fliegender Holländer"
Nr.3 Fantasie über Motive aus Richard Wagner's "Tannhäuser"
No.3 Fantasy on motifs from Richard Wagner's
"Tannhäuser"
Nr.4 Capriccio in Rondoform
über Motive aus der Oper "Genoveva" von R. Schumann
No.4 Capriccio in Rondo form on motifs from the
opera "Genoveva" by R. Schumann |
No.1 originally published as Lyrische Fragmente aus Lohengrin. Vols. 7-10 of the collection Oper
im Salon of 1876. All three published in one
Vol. in 1877 as Richard Wagner's Opern-Album. Op.61 Nos.1-3 composed in 1853, No.4 composed in May 1855. |
Schuberth
1855/1876/1877 |
(1) V(1) B(3) FM(3)S
Z(1) EW I |
Op.62 |
Drei Salon-Etüden aus
Richard Wagner's Opern
Three Salon-Etudes on Richard Wagner's Operas |
|
Schlesinger
1855 |
V(3) D(2)D(2)F(2)M(1,2)S(2)W(2) B(1) L(2)O(3) E(1,2)W(1) |
Op.65 |
Nr.1 Fantasie über Motive
aus "Benvenuto Cellini" von Hector Berlioz
No.1 Fantasy on motifs from "Benvenuto
Cellini" by Hector Berlioz
Nr.2 Caprice über Motive aus der Oper
"König Alfred" von J. Raff
No.1 Caprice on motifs from "the Opera "König Alfred" by J.
Raff |
Vols. 11 & 12 of the
collection Oper im Salon of 1876. |
Schuberth
1865/1876 |
S B(2) EW I |
Op.68 |
Fünf Transcriptionen nach
Beethoven, Gluck, Mozart, Schumann und Spohr
Five Trancriptions after Beethoven, Gluck, Mozart,
Schumann and Spohr |
|
Peters
1857 |
V(1) D(1,2.3)M(4) E(4)I(3)M(1-4) I |
Op.70
 |
Trovatore et Traviata: 2
Paraphrases de Salon d'aprés Verdi
Trovatore and Traviata: 2 Salon Paraphrases after
Verdi |
|
Peters
1857 |
K DF M L M IK |
Op.81 |
Nr.1 Sicilienne. Air favori
de l'opéra "Les Vêpres Siciliennes" de Verdi. Transcrit.
No.1 Sicilienne: Favourite Air from the opera
"Les Vêpres Siciliennes" by Verdi. Transcribed.
Nr.2 Tarantelle. D'aprés la Tarantelle de
l'opéra "Les Vêpres Siciliennes" de Verdi.
No.2 Tarantella: After the Tarantella from the opera "Les Vêpres
Siciliennes" by Verdi. |
|
Peters
1861 |
K M L EI(2) I |
WoO.22 |
2 Märsche aus Händel's
Oratorien: "Saul" und "Jephta". Transkription.
2 Marches from Handel's Oratorios: "Saul"
and "Jephta". Transcription |
|
Schuberth
1879 |
M |
Op.121 |
Illustrations de
l'Africaine: Opéra de Meyerbeer
Illustrations of "l'Africaine": Opera by
Meyerbeer |
4 Nos. |
Bote & Bock
1866 |
(2) B(1,2,4) M B(2)M(2) L E I(2) |
WoO.23
  |
Ausgewählte Stücke aus den
Violin-Sonaten von Joh. Seb. Bach: bearbeitet
Selected Pieces from the Violin Sonatas of Joh.
Seb. Bach: arranged |
18 Nos. in 7 vols. |
Rieter-Biedermann
1869 |
(1) B(1) B(1) M(1)S(1) U(9-12,14-18) I(1) |
WoO.24 |
Abendlied von Robert
Schumann: Konzert-Paraphrase
"Evening Song" by Robert Schumann:
Concert Paraphrase |
Simplified version published
by Maylath in 1871. |
Schuberth
1866 |
P K F A L EP |
WoO.26
  |
Reminiscenzen aus Richard
Wagner's Oper: "Die Meistersinger von Nürnberg"
Reminiscences of Richard Wagner's Opera "Die
Meistersinger von Nürnberg" |
4 Nos (one for each act) in
4 Vols. |
Schott
1868 |
K(3) F(1,2,4)M(1,3) N(2) LU E |
|
|
6 Sonaten für Violincell von
J.S. Bach für das Pianoforte bearbeitet
6 Sonatas for the Cello by J.S. Bach arranged for
the Piano |
|
Rieter-Biedermann
1869-1871 |
M(3) L N |
WoO.34 |
Improvisation über das Lied
"Der Lindenzweig" by L. Damrosch
Improvisation on the Lied "Der
Lindenzweig" by L. Damrosch |
|
Lichtenberg (later Stürmer)
1871 |
|
WoO.37 |
Berceuse d'aprés une pensée
de Ch. Gounod
Berceuse after an idea by Ch. Gounod |
|
Siegel
1872 |
R L E |
WoO.38 |
Valse de Juliet de Ch.
Gounod
Juliet's Waltz by Ch. Gounod |
|
Siegel
1873 |
B R L E |
WoO.40 |
Drei Suiten für Orchester
von Joh. Seb. Bach: Für Pianoforte bearbeitet
Three Suites for Orchestra by Joh. Seb. Bach:
arranged for Piano |
|
Rieter-Biedermann
1875 |
I |
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